Antonia (Amja) Lee beside her Original contemporary artwork of a young black girl surrounded by gold affirmation of self-love and pride.

They Didn't Get the Story Wrong. They Got You Wrong

Portrait of a young girl with affirmations conveying an authentic voice, celebrating empowerment and creativity.

They didn't get the story wrong. They got your authentic voice wrong. And then asked you to prove them right.

There is a kind of exhaustion that doesn't show up in any survey.

It lives in the gap between who you are and who the system has decided you are. It builds quietly. In meetings where you speak and something else is heard. In feedback that describes someone you don't recognise. In the slow, steady pressure to adjust yourself. You try to fit a version of you that was never accurate to begin with.

You don't have words for it at first.

You just know something is wrong.

And that knowing sits in the body long before it reaches the mouth.

Something happened this week that reminded me exactly why this episode matters.

A story was written about a person. Not by the person. By the system around them.

The evidence didn't support it. The record didn't support it. The lived reality of that person didn't support it. What they had done and built didn't support it. Who they had shown up as didn't support it.

And the system didn't correct the story.

It tried to correct the person.

That is the moment worth naming.

Not the original misreading. Those happen. People are complex. Institutions are imperfect. Misreading is part of the human cost of working inside any structure.

The moment that matters is what comes after.

When the institution decides its version is more correct than the truth standing in front of it. When it doubles down rather than questions itself. When maintaining the story becomes more important than seeing the person the story was supposed to be about.

At that point the person inside it faces something impossible.

Conform. Quietly. Until the version of you the system holds becomes the version you perform. Until the distance between the two becomes something you stop measuring because measuring it hurts too much.

Or insist on your own account. And face what it costs to do that inside a system that has already decided.

Neither is dignity. Both leave a mark.

Most leaders who miss people are not cruel.

That is the truth this work keeps returning to. And it matters. The moment we decide that organisations get people wrong because they don't care, we stop asking another question. We stop asking the more difficult and more useful question.

Why does a system that genuinely wants to see people clearly still get them wrong?

The answer is almost never intention. It is almost always structure.

And structure has a history. The instruments organisations use to measure people were not built in a vacuum. They measure who is credible, who is capable, who fits, who leads. They were built inside particular assumptions about what competence looks like. They carry assumptions about what authority sounds like and what a leader is supposed to be. Those assumptions are so embedded in how organisations function that most people never question them. They don't need to. The instruments were built around them and their communication styles. They were built around their educational pathways and their ways of moving through a room. They were built around their ways of holding authority. The instrument recognises them because it was made in their image.

For everyone else, the experience of being assessed is also the experience of being translated. Of having to make yourself legible to a system that was not designed with you in mind. And the further you are from the profile the instrument was built to recognise, the more translation is required. The more of yourself you leave at the door before you even begin.

The instrument doesn't announce this. It never has to. It simply produces results that confirm what the system already believed, and calls it objectivity.

When that happens the institution stops being a place where people can be known accurately. It becomes a story that must be protected. And the person inside the wrong story pays the cost of that protection.

They don't always leave loudly. Sometimes they just quietly become less. Less present. Less willing. Less themselves. And the organisation loses something it cannot name, because it never saw it clearly to begin with.

That loss has a number attached to it. It shows up in attrition and in disengagement. It shows in the slow withdrawal of people. These people have decided the effort of being seen is no longer worth making. It rarely appears on the agenda. But it is always on the balance sheet.

That gap is not a communications problem. It sits between what the institution believes it is doing and what the person inside it is actually experiencing.

It is an authorship problem.

And it is solvable.

The work of this episode is the recovery of voice.

Not as confrontation. As return.

Inner-Child, Inner-Voice — Freedom Fusion Collection
Some truths live in the body before they reach the mouth.
This piece holds the voice that existed before the training and the trying. Before you learned what was acceptable to say,and what wasn't. The child in this work isn't looking for permission. She already knows.
Inner-Child, Inner-Voice is part of the Freedom Fusion Collection — a body of work exploring creative reclamation, the recovery of authentic voice, and the intelligence that lives beneath what systems ask us to perform.
Available as a fine art giclée print. 16 x 20 with 1 inch border. 200gsm museum-quality paper. FSC certified. Ethically produced.
Because here, is where art becomes your strategy.

The recognition is simple. The story being told about you is not, in fact, your story. The voice you had before the training and the trying did not disappear. Before you learned what was acceptable to say and what was not, that voice existed. That voice didn't leave. It went quiet. It went quiet under pressure. It quieted under the accumulated weight of a system. That system needed you to be legible more than it needed you to be true.

The SSCS™ framework holds four things underneath this. Support, Self-Love, Spirituality, Security. Not as aspiration. As load-bearing walls. Returning to your own voice inside a system is demanding work. That system has already decided what that voice should say. Doing this work requires all four.

People who reflect your reality back accurately.

A relationship with yourself not contingent on institutional approval.

Access to something that cannot be revoked by a review or a restructure.

And a security, internal, not bestowed, is also needed. It allows you to stand inside your own account of yourself. It helps when the system is offering you another one.

Inner-Child, Inner-Voice is the work from the Freedom Fusion Collection. It sits at the centre of this episode. This work holds that tension on the canvas.

It names what the institution won't. It carries what the language of systems cannot quite reach. It carries the part of you that knew what was true. This was before the performance of competence. It was before the careful management of how you are perceived.

That part is not naive. It is not a liability.

It is the most accurate instrument in the room.

And the bridge between the person who carries that knowing and the institution that needs to hear it is shared. That bridge is not built by one side alone.

It is built when both are willing to stop defending their version of the story. And start asking together what is actually true.

That is where the real work begins.

Where in your world is a story being maintained that no longer matches the evidence?

Whether you're carrying it, or responsible for the system that produced i,  that question belongs to you.

And what would it take, from where you stand, to finally tell a truer one?

This week's Unabashed Conversation "Who Has the Authority to Name What Is True Here?" takes this question into the room. It goes where it's hardest to ask. Episode 7.

If something in this entry landed, the Narrative Alignment Reflection will help you find where it's showing up.

Whether you're carrying it or responsible for it, this is where the work begins.

🔗 Start the Narrative Alignment Reflection

Because here, is where art becomes your strategy.

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